Steve Jobs: The Man in the Machine has already upset some of the Apple faithful, but it’s mainly because Gibney was rude enough to collect and repeat many of the unflattering Steve Jobs anecdotes that have been circulating for years. Unfortunately, the film overreaches – Gibney posits that Steve Jobs was/is Apple, and by extension Apple customers are worshipping a false god.

All acting is mimicry – the trappings of speech and bearing are elemental building blocks for a performer. What’s intriguing about The Trip is that Coogan and Brydon are also mimicking themselves, even as they mimic others.

There’s exactly one reason to watch the movie, which is Anna Kendrick’s luminous performance as Cathy. Jeremy Jordan’s Jamie is weak tea; it doesn’t help that the authors’ conception of the character is beyond insipid (what idiot would whine about being married to Anna Kendrick?)

Steven Spielberg’s first five movies are interesting because while Spielberg’s technical proficiency grows by leaps and bounds, his interest in character steadily declines. Perhaps the first doesn’t necessarily crowd out the second, but it might. Raiders of the Lost Ark, conceived with George Lucas, is the ultimate pulp homage by two men who see movies as a funhouse and little else.

Once upon a time, there was a director named Steven, a prince in the Kingdom of Hollywood. Stephen was very talented and successful, so the king allowed him to make whatever movies he wanted, no matter how much time or treasure they took. Steven thought it would be funny to make a film about a Japanese submarine threatening Los Angeles shortly after the attack on Pearl Harbor. The king thought this was a great idea and opened his vaults and instructed his courtiers to do whatever Steven wanted.

Orgasm Inc. is funny. The best moment is when Liz Canner reveals that the erotic film she’d edited caused almost as many positive reactions in the placebo test group. The drug wasn’t working, but they’d proven that “women like porn.”