This weekend, New Hartford High School is performing Guys and Dolls. I advocated for the show, and I’ve been pleased with the process. My lighting students are doing next-level work, and for the first time I have two students on the fly rail. The set is really amazing – I expect applause when it is revealed during the overture. This will also be my daughter’s final effort as student stage manager; in all likelihood, the last time we’ll work together as creative peers on a show.
A high school musical is a kind of miracle. Hundreds of people come together and work furiously for a few weeks to create something that didn’t exist before. Theater kids get it done.
This week, I’m preparing for my sixth musical at New Hartford High School, the third one entirely designed and run by a student crew. This is an abridged version of the letter I gave the crew, as they begin attending rehearsals.
My favorite moments in theater are when I’ve been caught off guard by a performance, or was surprised to love a piece I hadn’t expected to. Director Nick Abounader and company pulled off something close to theatrical alchemy with their recent production at Players of Utica, The 25th Annual Putnam County Spelling Bee: the ensemble was so in sync with the material and each other that the whole thing became gloriously more than its parts.
It’s become a birthday tradition that Susan and I should be surprised by Sarah onstage.
Our class president was prohibited from speaking at graduation, because the administration was nervous about what he’d say. Tor is now an internationally known lawyer who defends computer hackers; what might a politically conscious playwright make of that, with Tor as a performer in the show?
Theater is one of the few educational activities that’s measured by the enjoyment of the participants. I want to shift the bar.
The Richard Rodgers Theatre is not The Cotton Club; its performers should not be similarly cowed. As Garrison Keillor sung in his definitive song about Newt Gingrich: “Artists always have the final say.”
80s pop music depends on studio embellishment for its sound – the Footloose songs just don’t have the bones of The Who’s Tommy…The band had plenty of talent, but the sound was thin and rhythms awkward, often out of synch with the performers.
We were lucky to get the cast we have, 17 performers, many of whom have carried previous shows on their own…there has never been such a qualified musical cast in Central New York.