Jim had been concerned about bears as the trip approached; he’d read about several close encounters on the message boards he followed. I wasn’t too worried, because I’d never actually seen a bear in 35 years of hiking in the Adirondacks. I’d camped before in areas where the NYS DEC warned visitors to be cautious, and I followed their rules, printed on bright yellow signs at most trailheads.
Autumn was the gentlest dog I’ve ever known. She wasn’t particularly smart, although she had an unerring internal timer for breakfast, lunch, dinner, and snack times. Dog heaven better have peanut butter, or I expect she’ll be coming back.
Weatherford’s political cartoon is a cheap shot that relies on two levels of misinterpretation – first, of Colin Kaepernick’s concerns regarding Nike’s Betsy Ross Flag shoe; second, of Charles Schulz’s own patriotism, which was a recurring subject in the Peanuts strip.
I finally summited McKenzie and took a selfie under the sign on the wooded summit. Almost 8 hours into the trip, with a 5.3 mile return still to go, and I was washed in an emotional mix of satisfaction, gratefulness, relief, and a touch of euphoria – the delicious endorphin cocktail that comes after trying and achieving something difficult.
I am absurdly proud of you right now. I think it’s been pretty easy to be your father – to those who say we’re similar, I counter that I was harder to steer.
Michelle Wolf’s 19-minute set from the White House Correspondents’ Dinner…[is] a courageous, knife-edge bit of comedy, dense with great jokes and harsh as hell. It makes you squirm, and that’s the point.
As Judas, Brandon Victor Dixon was simply fantastic. The only capable actor among the principals, Dixon sang beautifully, interpreting the material instead of painting by numbers. He brought unpredictability and riveting vitality to the production, and made it seem effortless. He pulled me to my feet several times, my internal 16 year-old pumping his fist and lip-syncing with the TV.
This weekend, New Hartford High School is performing Guys and Dolls. I advocated for the show, and I’ve been pleased with the process. My lighting students are doing next-level work, and for the first time I have two students on the fly rail. The set is really amazing – I expect applause when it is revealed during the overture. This will also be my daughter’s final effort as student stage manager; in all likelihood, the last time we’ll work together as creative peers on a show.
A high school musical is a kind of miracle. Hundreds of people come together and work furiously for a few weeks to create something that didn’t exist before. Theater kids get it done.
This week, I’m preparing for my sixth musical at New Hartford High School, the third one entirely designed and run by a student crew. This is an abridged version of the letter I gave the crew, as they begin attending rehearsals.
