My favorite moments in theater are when I’ve been caught off guard by a performance, or was surprised to love a piece I hadn’t expected to. Director Nick Abounader and company pulled off something close to theatrical alchemy with their recent production at Players of Utica, The 25th Annual Putnam County Spelling Bee: the ensemble was so in sync with the material and each other that the whole thing became gloriously more than its parts.
Nectar D’Òr is rich, sweet stuff.
There’s good in most people, wisdom even in a ballsy weasel. My father said shit that I remember every day; his bon mots comprise a not-inconsiderable legacy that I’ve passed on to my own kids over the years.
Moss Island welcomes a guest contributor.
Laphroaig 15 doesn’t disappoint. Medium gold in the glass, the nose is amazing, intensely satisfying on its own. Seaweed and ocean air predominate, with a gentle sweetness underneath. Not too heavy on the palate, it slides down and around the tongue, expanding with a quick burst of heat. The sweetness is chased with an immediate woody aftertaste, like puffs of smoke.
It’s become a birthday tradition that Susan and I should be surprised by Sarah onstage.
Our class president was prohibited from speaking at graduation, because the administration was nervous about what he’d say. Tor is now an internationally known lawyer who defends computer hackers; what might a politically conscious playwright make of that, with Tor as a performer in the show?
The traditional argument for subsidizing churches has been that they provide a public good. I expect many citizens today can provide examples of churches working against their good, and can make a reasonable objection to being forced to contribute to those churches.
Gorsuch will be confirmed. Trump is a puppet. Bannon (alt-right) and the religious right are both pulling strings, happy for all of Trump’s blunders and Tweets because they keep us distracted, looking in the wrong direction. Financial regulations are being dismantled. Yay.
At the end of the day, Melfi’s movie works, even if it’s a throwback to more “classic” biopic styles. That’s arguably appropriate, because this movie SHOULD HAVE BEEN made 50 years ago.