As Judas, Brandon Victor Dixon was simply fantastic. The only capable actor among the principals, Dixon sang beautifully, interpreting the material instead of painting by numbers. He brought unpredictability and riveting vitality to the production, and made it seem effortless. He pulled me to my feet several times, my internal 16 year-old pumping his fist and lip-syncing with the TV.

On December 14, 2017, I sat in the second row mezzanine at Walter Kerr Theatre, about 60 feet from Bruce Springsteen. It was the closest I’d ever been, and the clearest I’d heard him over ten concerts I’ve attended. Unfortunately, it was my least favorite of his shows.

As a performer being honored, essentially, for her empathy, it’s entirely appropriate for Streep to highlight a performance anathema to her life’s work. In context, she was saying “performers have great power and great responsibility.”

The song is so catchy, it makes you root for the guy who won’t take no for an answer. Our cultural norm, constantly reinforced in music and movies, is that a little resistance is good, but real men are persistent and get what they want in the end; furthermore, women like it that way.

Adele’s musical gift is her voice, a once-in-a-generation talent that wraps itself around notes with astonishing power and variety; her phrasing is always masterful, often surprising. As a songwriter, she favors a strong melody and elemental sentiments – her compositions are fresh but seem timeless.