In three weeks, we’ll be presenting Stephen Sondheim’s Putting It Together at The Earlville Opera House. The dreams have started – where I’m onstage without a clue what to sing, the lights aren’t ready, and I’m in pajamas. (I hate pajamas, so that’s worse than being naked onstage.) Right on schedule.

Some of the best moments in my theater career have happened at high school productions. In fact, a disproportionate number of those were courtesy of teenagers. I love the “aha” surprises, when a performer finds a spark and burns up the stage, bringing the audience to its feet. Now, imagine a show composed of nothing but those moments, and you’ll have an idea of what I worked on Saturday night…

Directors considering any play must decide what to emphasize. What are we trying to convey to the audience? If I’d been wrestling with Chapter Two, I’d want to tell a good love story, and nail as many of the jokes as possible. North Country Director Brian Ure apparently had different priorities. Damned if I know what they were.