Lost in The Flood frequently appears on “best-of” lists by Springsteen fans, probably because it presages the clichéd cinematic imagery of Jungleland; that song is saved by magnificent musicianship. Unfortunately, in 1972 Springsteen wasn’t yet working with collaborators who could muscle out his grandiose visions.
Music Reviews
The concert on the whole is wonderful – part of the pleasure is the thrill of discovery, and part is how much of a departure the tour concept was… If this concert doesn’t have the manic, sometimes desperate energy of Springsteen’s 1970s concerts, it solidifies his reputation as a master showman.
Springsteen at his most Dylan-esque, a mantle he wore poorly while protesting he didn’t want it in the first place. Does This Bus… is a trifle of wordplay that doesn’t quite hold together – the rhymes are sloppy, sharp phrases are undermined by non sequiturs.
Springsteen’s harmonica work on the song is beautiful. He plays mostly single, pristine notes, high above the melody. These create an air of wistful loneliness during the beginning and ending; in the middle passages the harp bounces around the voice.
Super Trouper is the greatest song ever written about a stage light. The lyrics bring a shiver of pleasure to even the most jaded stagehand…
Toby Scott’s entire job lately seems to consist of bringing joy to Springsteen fans. Back in 1984, we waited years between Springsteen releases and now every six weeks brings another gift, miraculously cleaned up, mixed and presented whole… The very best way to experience Springsteen is to listen to one of his concerts start to finish, and ride the ups and downs to the inevitably ecstatic conclusion.
Awesome use of superlatives; also, wisely differentiates between “opinion” and “official” pronouncements. The writer clearly has anger issues but apologizes, a welcome folksy touch. Concludes with hope, something too many critics neglect (although said hope might arguably be more clearly communicated with the interrogative possessive pronoun “whose;” still, it is unlikely the target audience will be confused.)
Growing’ Up was initially recorded on June 7, 1972, Springsteen’s first day in the studio as a Columbia recording artist… The piano sketches a repetitive dreamlike pattern, drifting to “once upon a time.” … It’s about youth and defiance, and the possibility that becoming a rock star might be the answer to everything.
When Bruce Springsteen recorded his first album in 1972, Columbia Records President Clive Davis said it contained no hit singles. Springsteen retreated to his bedroom with a rhyming dictionary and emerged with Blinded by the Light…
NEWS: Religious Freedom Restoration Acts
MOVIES: Short Term 12
MOVIES: One Night Stand
MUSIC: Weird Genius
FOOD: Oreos
